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Newly remastered and available on black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist \u003c\/strong\u003e\u003cbr\u003eA1. Woman Goin' Crazy On Caroline Street \u003cbr\u003eA2. My Head Hurts, My Feet Stink And I Don't Love Jesus \u003cbr\u003eA3. The Captain And The Kid \u003cbr\u003eA4. Big Rig \u003cbr\u003eA5. Defying Gravity\u003cbr\u003eB1. Havana Daydreamin' \u003cbr\u003eB2. Cliches \u003cbr\u003eB3. Something So Feminine About A Mandolin \u003cbr\u003eB4. Kick It In Second Wind \u003cbr\u003eB5. 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The music is a Waitsian concoction of pop, vaudeville, rock, cabaret and blues – a brew that is strangely familiar yet absolutely fresh.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe unlikely source material is rooted in German Romantic literature and the Weber opera, “Der Freischutz” (although Waits’ music does not quote from the Weber score), The story concerns a marksman who makes a pact with the devil (in the guise of a shadowy horseman) in order to win a shooting contest and hence claim his bride.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA cross between the musical, Cabaret and The Threepenny Opera,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Black Rider\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis brimming with the sort of inspired originality that can only flow from the mind of Tom Waits.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe album is newly remastered for the first time ever from the original ½” flat master tape and personally overseen by Tom Waits and Kathleen Brennan. 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As Waits explained at the time, “I have a lot of very strong rhythmic impulses, but this is not my world. I just pick something up and I hit it, and if I like the sound, it goes on. Sometimes my idiot approach serves the music.”\u003c\/p\u003e\n\u003cp\u003eMortality is a recurrent theme, from “\u003cstrong\u003eDirt In The Ground\u003c\/strong\u003e” (\"We're all gonna be. . .\") to “\u003cstrong\u003eAll Stripped Down\u003c\/strong\u003e,” “\u003cstrong\u003eThe Ocean Doesn't Want Me\u003c\/strong\u003e” (a tale of contemplated suicide), “\u003cstrong\u003eJesus Gonna Be Here\u003c\/strong\u003e,” the rambunctious paean to childhood, “\u003cstrong\u003eI Don't\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eWanna\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eGrow Up\u003c\/strong\u003e,” and certainly the broken-hearted, confessional classic Waits ballad, “\u003cstrong\u003eWhistle Down The Wind\u003c\/strong\u003e.” Waits explained at the time: “Yeah, ultimately, it will be a subject that you deal with. Some deal with it earlier than others, but it will be dealt with. 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Mastered by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eChris Bellman\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eat\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBernie Grundman Mastering\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eunder the guidance of Waits’ longtime audio engineer,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKarl Derfler.\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eThe album packaging has also been restored.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBone Machine\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eincludes tracks such as “Goin’ Out West,” “I Don’t Wanna Grow Up” and “Jesus Gonna Be Here.” Available on 180g black vinyl.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA1. The Earth Died Screaming \u003cbr data-mce-fragment=\"1\"\u003eA2. Dirt In The Ground \u003cbr data-mce-fragment=\"1\"\u003eA3. Such A Scream \u003cbr data-mce-fragment=\"1\"\u003eA4. All Stripped Down \u003cbr data-mce-fragment=\"1\"\u003eA5. Who Are You \u003cbr data-mce-fragment=\"1\"\u003eA6. The Ocean Doesn't Want Me \u003cbr data-mce-fragment=\"1\"\u003eA7. Jesus Gonna Be Here \u003cbr data-mce-fragment=\"1\"\u003eA8. A Little Rain \u003cbr data-mce-fragment=\"1\"\u003eB1. In The Colosseum \u003cbr data-mce-fragment=\"1\"\u003eB2. Goin' Out West \u003cbr data-mce-fragment=\"1\"\u003eB3. Murder In The Red Barn\u003cbr data-mce-fragment=\"1\"\u003eB4. Black Wings \u003cbr data-mce-fragment=\"1\"\u003eB5. Whistle Down The Wind \u003cbr data-mce-fragment=\"1\"\u003eB6. I Don't Wanna Grow Up \u003cbr data-mce-fragment=\"1\"\u003eB7. Let Me Get Up On It \u003cbr data-mce-fragment=\"1\"\u003eB8. That Feel \u003c\/p\u003e","brand":"Tom Waits","offers":[{"title":"Default Title","offer_id":64097625506161,"sku":"00602448898470","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1010\/4753\/3937\/files\/Bone-Machine-LP.png?v=1782258094"},{"product_id":"tom-waits-bone-machine-limited-edition-lp","title":"Bone Machine (Limited Edition Translucent Milky) LP","description":"\u003cp\u003eOriginally released in 1992 on Island Records,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBone Machine\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis Tom Waits’ 11th studio album. 5 years after \u003cem\u003eFranks Wild Years\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBone Machine\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a return to studio albums for Tom Waits. The album features David Hidalgo, Les Claypool, Brain and Keith Richards and won a GRAMMY for Best Alternative Music Album.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBone Machine\u003c\/em\u003e is rather pointedly otherworldly… another edge pusher – his most poetically and sonically daring work yet. Writing again with his longtime collaborator and wife, Kathleen Brennan, Waits acknowledges writing ‘darker’ material saying “A great many songs live there, so that’s where I’ve been digging lately.”\u003c\/p\u003e\n\u003cp\u003eWaits calls the songs on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBone Machine\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e“little movies for the ears.” He sometimes wrote them entirely from a percussion pattern—which he played on array of largely homemade instruments. One, the “conundrum,” was rusted pieces of farm equipment hung from a large iron crucifix. As Waits explained at the time, “I have a lot of very strong rhythmic impulses, but this is not my world. I just pick something up and I hit it, and if I like the sound, it goes on. Sometimes my idiot approach serves the music.”\u003c\/p\u003e\n\u003cp\u003eMortality is a recurrent theme, from “\u003cstrong\u003eDirt In The Ground\u003c\/strong\u003e” (\"We're all gonna be. . .\") to “\u003cstrong\u003eAll Stripped Down\u003c\/strong\u003e,” “\u003cstrong\u003eThe Ocean Doesn't Want Me\u003c\/strong\u003e” (a tale of contemplated suicide), “\u003cstrong\u003eJesus Gonna Be Here\u003c\/strong\u003e,” the rambunctious paean to childhood, “\u003cstrong\u003eI Don't\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eWanna\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eGrow Up\u003c\/strong\u003e,” and certainly the broken-hearted, confessional classic Waits ballad, “\u003cstrong\u003eWhistle Down The Wind\u003c\/strong\u003e.” Waits explained at the time: “Yeah, ultimately, it will be a subject that you deal with. Some deal with it earlier than others, but it will be dealt with. Eventually we'll all have to line up and kiss the devil's arse.” Yet the album actually ends upliftingly, with\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e“That Feel”\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eco-written with Keith Richards.\u003c\/p\u003e\n\u003cp\u003eNewly remastered for the first time ever from the original ½” flat master tape and personally overseen by Tom Waits and Kathleen Brennan. Mastered by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eChris Bellman\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eat\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBernie Grundman Mastering\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eunder the guidance of Waits’ longtime audio engineer,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKarl Derfler.\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eThe album packaging has also been restored.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBone Machine\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eincludes tracks such as “Goin’ Out West,” “I Don’t Wanna Grow Up” and “Jesus Gonna Be Here.” Available on exclusive limited edition translucent milky color vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. The Earth Died Screaming \u003cbr data-mce-fragment=\"1\"\u003eA2. Dirt In The Ground \u003cbr data-mce-fragment=\"1\"\u003eA3. Such A Scream \u003cbr data-mce-fragment=\"1\"\u003eA4. All Stripped Down \u003cbr data-mce-fragment=\"1\"\u003eA5. Who Are You \u003cbr data-mce-fragment=\"1\"\u003eA6. The Ocean Doesn't Want Me \u003cbr data-mce-fragment=\"1\"\u003eA7. Jesus Gonna Be Here \u003cbr data-mce-fragment=\"1\"\u003eA8. A Little Rain \u003cbr data-mce-fragment=\"1\"\u003eB1. In The Colosseum \u003cbr data-mce-fragment=\"1\"\u003eB2. Goin' Out West \u003cbr data-mce-fragment=\"1\"\u003eB3. Murder In The Red Barn\u003cbr data-mce-fragment=\"1\"\u003eB4. Black Wings \u003cbr data-mce-fragment=\"1\"\u003eB5. Whistle Down The Wind \u003cbr data-mce-fragment=\"1\"\u003eB6. I Don't Wanna Grow Up \u003cbr data-mce-fragment=\"1\"\u003eB7. Let Me Get Up On It \u003cbr data-mce-fragment=\"1\"\u003eB8. That Feel \u003c\/p\u003e","brand":"Tom Waits","offers":[{"title":"Default Title","offer_id":64097625538929,"sku":"00602455891631","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1010\/4753\/3937\/files\/Bone-Machine-Clear-LP.png?v=1782258095"},{"product_id":"tom-waits-swordfishtrombones-lp","title":"Swordfishtrombones LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e2023 Marks forty years since Tom Waits released \u003cem\u003eSwordfishtrombones\u003c\/em\u003e, ushering in a new and critically acclaimed musical era for Waits and his longtime songwriting and production partner, Brennan. Waits went from ‘70’s-era “bluesy, boozy” wordsmith and melodist with seven albums behind him to sound sculptor, miner of the subconscious, abstract orchestrator, sonic cubist—while retaining his innate lyricism, melodic invention, humanity. As he put it in a 1983 interview: “I tried to listen to the noise in my head and invent some junkyard orchestral deviation—a mutant apparatus to drive this noise into a wreck collection.” It’s a Waits-arranged pastiche, a variety of atmospheres from different sound planets. There is the warped, marching-army-ants music of “Underground,” an impressionist chant about people living below cities, but there was also the poignancy of the spare piano ballad, “Soldier’s Things,” the good bar yarn, “Frank’s Wild Years”, the tender, minimalist paean to Waits’ wife and muse, Kathleen, “Johnsburg, Illinois,” and the raggedy anthem to neighborhood chaos, “In the Neighborhood.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“On \u003cem\u003eSwordfishtrombones\u003c\/em\u003e, Waits has made a breakthrough – he’s found music as evocative as his words. Waits’s grumble of a voice now bounces off a peculiar assortment of horns and percussion and organ and keyboards, as if he’d led a Salvation Army band into a broken-down Hong Kong disco. It’s as if he’s shifted from monologues to screenplays…” - Jon Parales January 1984 - GQ Magazine\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album is newly remastered for the first time ever from the original EQ’ed ½” production master tape and personally overseen by Tom Waits and Kathleen Brennan. Mastered by Chris Bellman at Bernie Grundman Mastering under the guidance of Waits’ longtime audio engineer, Karl Derfler. The album packaging has also been restored. Available on 180g black vinyl.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA1. Underground \u003cbr data-mce-fragment=\"1\"\u003eA2. Shore Leave \u003cbr data-mce-fragment=\"1\"\u003eA3. Dave The Butcher \u003cbr data-mce-fragment=\"1\"\u003eA4. Johnsburg, Illinois \u003cbr data-mce-fragment=\"1\"\u003eA5. 16 Shells From A 30.6 \u003cbr data-mce-fragment=\"1\"\u003eA6. Town With No Cheer \u003cbr data-mce-fragment=\"1\"\u003eA7. In The Neighbourhood \u003cbr data-mce-fragment=\"1\"\u003eB1. Just Another Sucker On The Vine \u003cbr data-mce-fragment=\"1\"\u003eB2. Frank's Wild Years \u003cbr data-mce-fragment=\"1\"\u003eB3. Swordfishtrombone \u003cbr data-mce-fragment=\"1\"\u003eB4. Down, Down, Down \u003cbr data-mce-fragment=\"1\"\u003eB5. Soldier's Things \u003cbr data-mce-fragment=\"1\"\u003eB6. Gin Soaked Boy \u003cbr data-mce-fragment=\"1\"\u003eB7. Trouble's Braids \u003cbr data-mce-fragment=\"1\"\u003eB8. Rainbirds \u003c\/p\u003e","brand":"Tom Waits","offers":[{"title":"Default Title","offer_id":64097625604465,"sku":"00602448898425","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1010\/4753\/3937\/files\/swordfish-lp.png?v=1782258098"},{"product_id":"tom-waits-swordfishtrombones-limited-edition-lp","title":"Swordfishtrombones (Limited Edition Yellow) 1LP","description":"\u003cp\u003e2023 Marks forty years since Tom Waits released \u003cem\u003eSwordfishtrombones\u003c\/em\u003e, ushering in a new and critically acclaimed musical era for Waits and his longtime songwriting and production partner, Brennan. Waits went from ‘70’s-era “bluesy, boozy” wordsmith and melodist with seven albums behind him to sound sculptor, miner of the subconscious, abstract orchestrator, sonic cubist—while retaining his innate lyricism, melodic invention, humanity. As he put it in a 1983 interview: “I tried to listen to the noise in my head and invent some junkyard orchestral deviation—a mutant apparatus to drive this noise into a wreck collection.” It’s a Waits-arranged pastiche, a variety of atmospheres from different sound planets. There is the warped, marching-army-ants music of “Underground,” an impressionist chant about people living below cities, but there was also the poignancy of the spare piano ballad, “Soldier’s Things,” the good bar yarn, “Frank’s Wild Years”, the tender, minimalist paean to Waits’ wife and muse, Kathleen, “Johnsburg, Illinois,” and the raggedy anthem to neighborhood chaos, “In the Neighborhood.”\u003cbr\u003e\u003cbr\u003e“On \u003cem\u003eSwordfishtrombones\u003c\/em\u003e, Waits has made a breakthrough – he’s found music as evocative as his words. Waits’s grumble of a voice now bounces off a peculiar assortment of horns and percussion and organ and keyboards, as if he’d led a Salvation Army band into a broken-down Hong Kong disco. It’s as if he’s shifted from monologues to screenplays…” - Jon Parales January 1984 - GQ Magazine\u003cbr\u003e\u003cbr\u003eThe album is newly remastered for the first time ever from the original EQ’ed ½” production master tape and personally overseen by Tom Waits and Kathleen Brennan. Mastered by Chris Bellman at Bernie Grundman Mastering under the guidance of Waits’ longtime audio engineer, Karl Derfler. The album packaging has also been restored. Available on exclusive limited edition 180g canary vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Underground \u003cbr\u003eA2. Shore Leave \u003cbr\u003eA3. Dave The Butcher \u003cbr\u003eA4. Johnsburg, Illinois \u003cbr\u003eA5. 16 Shells From A 30.6 \u003cbr\u003eA6. Town With No Cheer \u003cbr\u003eA7. In The Neighbourhood \u003cbr\u003eB1. Just Another Sucker On The Vine \u003cbr\u003eB2. Frank's Wild Years \u003cbr\u003eB3. Swordfishtrombone \u003cbr\u003eB4. Down, Down, Down \u003cbr\u003eB5. Soldier's Things \u003cbr\u003eB6. Gin Soaked Boy \u003cbr\u003eB7. Trouble's Braids \u003cbr\u003eB8. Rainbirds \u003c\/p\u003e","brand":"Tom Waits","offers":[{"title":"Default Title","offer_id":64097625637233,"sku":"00602455886477","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1010\/4753\/3937\/files\/swordfish-yellow-lp.png?v=1782258099"},{"product_id":"tom-waits-rain-dogs-lp","title":"Rain Dogs LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNoted as Tom Waits’ most critically acclaimed album, \u003cem\u003eRain Dogs\u003c\/em\u003e follows the new musical path Waits had taken with \u003cem\u003eSwordfishtrombones\u003c\/em\u003e. Considered the middle of a de facto trilogy with \u003cem\u003eSwordfishtrombones\u003c\/em\u003e and \u003cem\u003eFranks Wild Years\u003c\/em\u003e, \u003cem\u003eRain Dogs\u003c\/em\u003e is the first of Waits’ albums to be written in New York, in a Lower Manhattan basement. A 53-minute, 19-track monster, \u003cem\u003eRain Dogs\u003c\/em\u003e is a kind of mutant, late 20th century musical “Canterbury Tales” with a shape-shifting band. There are banjos and marimbas and bowed saw and parade drum and howling horns (and Keith Richards and Marc Ribot) on this rollicking, rough-hewn opus—and Waits, using his voice in increasingly weird-and-wild ways. The songs are stories, sagas, laments, breakdowns, character studies, comedies and cabaret numbers. There’s the aching “Hang Down Your Head,” and the moving anthem, “Downtown Train,” which was covered by Patti Smith and Rod Stewart.\u003cbr\u003e\u003cbr\u003eWaits coined the term, “rain dog,” a reference to dogs who lose their way when touchstone scents are washed away in storms. Among the lost dogs on the album: gruff, wandering merchant marines (“Singapore”), an accordion player in a slaughterhouse (“Cemetery Polka”), a “jockey full of bourbon” (also the song title), an abandoned, withdrawn woman (“Time”), a “gun street girl,” the old drunks and hustlers of Union Square, and even Waits, himself: Aboard a shipwreck train \/ Give my umbrella to the Rain Dogs \/ For I am a Rain Dog, too. . .\u003cbr\u003e\u003cbr\u003eOriginally released in 1985 on Island Records, the album is newly remastered for the first time ever from the original ½” flat master tape and personally overseen by Tom Waits and Kathleen Brennan. Mastered by Chris Bellman at Bernie Grundman Mastering under the guidance of Waits’ longtime audio engineer, Karl Derfler. The album packaging has also been restored. \u003cem\u003eRain Dogs\u003c\/em\u003e includes tracks such as “Downtown Train,” “Clap Hands” and “Jockey Full Of Bourbon.” Available on 180g black vinyl.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA1. Singapore \u003cbr data-mce-fragment=\"1\"\u003eA2. Clap Hands \u003cbr data-mce-fragment=\"1\"\u003eA3. Cemetery Polka \u003cbr data-mce-fragment=\"1\"\u003eA4. Jockey Full Of Bourbon \u003cbr data-mce-fragment=\"1\"\u003eA5. Tango Till They're Sore \u003cbr data-mce-fragment=\"1\"\u003eA6. Big Black Mariah \u003cbr data-mce-fragment=\"1\"\u003eA7. Diamonds And Gold \u003cbr data-mce-fragment=\"1\"\u003eA8. Hang Down Your Head \u003cbr data-mce-fragment=\"1\"\u003eA9. Time \u003cbr data-mce-fragment=\"1\"\u003eB1. Rain Dogs \u003cbr data-mce-fragment=\"1\"\u003eB2. Midtown \u003cbr data-mce-fragment=\"1\"\u003eB3. 9th \u0026amp; Hennepin \u003cbr data-mce-fragment=\"1\"\u003eB4. Gun Street Girl \u003cbr data-mce-fragment=\"1\"\u003eB5. Union Square \u003cbr data-mce-fragment=\"1\"\u003eB6. Blind Love \u003cbr data-mce-fragment=\"1\"\u003eB7. Walking Spanish \u003cbr data-mce-fragment=\"1\"\u003eB8. Downtown Train \u003cbr data-mce-fragment=\"1\"\u003eB9. Bride Of Rain Dog \u003cbr data-mce-fragment=\"1\"\u003eB10. Anywhere I Lay My Head \u003c\/p\u003e","brand":"Tom Waits","offers":[{"title":"Default Title","offer_id":64097625735537,"sku":"00602448898531","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1010\/4753\/3937\/files\/Rain-Dogs-LP.png?v=1782258101"},{"product_id":"tom-waits-rain-dogs-limited-edition-lp","title":"Rain Dogs (Limited Edition Opaque Sky Blue) LP","description":"\u003cp\u003eNoted as Tom Waits’ most critically acclaimed album,\u003cem\u003e Rain Dogs\u003c\/em\u003e follows the new musical path Waits had taken with \u003cem\u003eSwordfishtrombones\u003c\/em\u003e. Considered the middle of a de facto trilogy with \u003cem\u003eSwordfishtrombones\u003c\/em\u003e and\u003cem\u003e Franks Wild Years\u003c\/em\u003e, \u003cem\u003eRain Dogs\u003c\/em\u003e is the first of Waits’ albums to be written in New York, in a Lower Manhattan basement. A 53-minute, 19-track monster, \u003cem\u003eRain Dogs\u003c\/em\u003e is a kind of mutant, late 20th century musical “Canterbury Tales” with a shape-shifting band. There are banjos and marimbas and bowed saw and parade drum and howling horns (and Keith Richards and Marc Ribot) on this rollicking, rough-hewn opus—and Waits, using his voice in increasingly weird-and-wild ways. The songs are stories, sagas, laments, breakdowns, character studies, comedies and cabaret numbers. There’s the aching “Hang Down Your Head,” and the moving anthem, “Downtown Train,” which was covered by Patti Smith and Rod Stewart.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWaits coined the term, “rain dog,” a reference to dogs who lose their way when touchstone scents are washed away in storms. Among the lost dogs on the album: gruff, wandering merchant marines (“Singapore”), an accordion player in a slaughterhouse (“Cemetery Polka”), a “jockey full of bourbon” (also the song title), an abandoned, withdrawn woman (“Time”), a “gun street girl,” the old drunks and hustlers of Union Square, and even Waits, himself: Aboard a shipwreck train \/ Give my umbrella to the Rain Dogs \/ For I am a Rain Dog, too. . .\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOriginally released in 1985 on Island Records, the album is newly remastered for the first time ever from the original ½” flat master tape and personally overseen by Tom Waits and Kathleen Brennan. Mastered by Chris Bellman at Bernie Grundman Mastering under the guidance of Waits’ longtime audio engineer, Karl Derfler. The album packaging has also been restored. \u003cem\u003eRain Dogs\u003c\/em\u003e includes tracks such as “Downtown Train,” “Clap Hands” and “Jockey Full Of Bourbon.” Available on exclusive limited edition 180g opaque sky blue vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Singapore \u003cbr\u003eA2. Clap Hands \u003cbr\u003eA3. Cemetery Polka \u003cbr\u003eA4. Jockey Full Of Bourbon \u003cbr\u003eA5. Tango Till They're Sore \u003cbr\u003eA6. Big Black Mariah \u003cbr\u003eA7. Diamonds And Gold \u003cbr\u003eA8. Hang Down Your Head \u003cbr\u003eA9. Time \u003cbr\u003eB1. Rain Dogs \u003cbr\u003eB2. Midtown \u003cbr\u003eB3. 9th \u0026amp; Hennepin \u003cbr\u003eB4. Gun Street Girl \u003cbr\u003eB5. Union Square \u003cbr\u003eB6. Blind Love \u003cbr\u003eB7. Walking Spanish \u003cbr\u003eB8. Downtown Train \u003cbr\u003eB9. Bride Of Rain Dog \u003cbr\u003eB10. Anywhere I Lay My Head \u003c\/p\u003e","brand":"Tom Waits","offers":[{"title":"Default Title","offer_id":64097625768305,"sku":"00602455886408","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1010\/4753\/3937\/files\/Rain-Dogs-Blue-LP.png?v=1782258103"},{"product_id":"tom-waits-franks-wild-years-lp","title":"Frank's Wild Years LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOriginally released in 1987 on Island Records,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFranks Wild Years\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis Tom Waits’ 10th studio album. 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Titles evoke Frank’s dime-store Odyssey: “Straight To The Top,” “Blow Wind Blow,” “Temptation,” “I’ll Be Gone.” NME ranked the work the number five album of 1987.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNewly remastered for the first time ever from the original ½” flat master tape and personally overseen by Tom Waits and Kathleen Brennan. Mastered by Chris Bellman at Bernie Grundman Mastering under the guidance of Waits’ longtime audio engineer, Karl Derfler. The album packaging has also been restored. \u003cem\u003eFranks Wild Years\u003c\/em\u003e includes tracks such as “Cold Cold Ground,” “Way Down In The Hole” – versions of which were used as the theme music of HBO’s series The Wire – and “Temptation.” Available on 180g black vinyl.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA1. Hang On St. Christopher \u003cbr data-mce-fragment=\"1\"\u003eA2.Straight To The Top (Rhumba) \u003cbr data-mce-fragment=\"1\"\u003eA3. Blow Wind Blow \u003cbr data-mce-fragment=\"1\"\u003eA4. Temptation \u003cbr data-mce-fragment=\"1\"\u003eA5. Innocent When You Dream (Barroom) \u003cbr data-mce-fragment=\"1\"\u003eA6. I'll Be Gone \u003cbr data-mce-fragment=\"1\"\u003eA7. Yesterday Is Here \u003cbr data-mce-fragment=\"1\"\u003eA8. 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Titles evoke Frank’s dime-store Odyssey: “Straight To The Top,” “Blow Wind Blow,” “Temptation,” “I’ll Be Gone.” NME ranked the work the number five album of 1987.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNewly remastered for the first time ever from the original ½” flat master tape and personally overseen by Tom Waits and Kathleen Brennan. Mastered by Chris Bellman at Bernie Grundman Mastering under the guidance of Waits’ longtime audio engineer, Karl Derfler. 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To celebrate its 50th anniversary, Island Records \/ UMe will reissue a newly remastered version of \u003cem\u003eCatch Bull At Four\u003c\/em\u003e on December 2nd, 2022. Presented on 180g vinyl gatefold LP.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExcluded from sitewide sales\/discounts.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Yusuf \/ Cat Stevens","offers":[{"title":"Default Title","offer_id":64097641300337,"sku":"00602508160998","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1010\/4753\/3937\/files\/Blackvinylproductshot.png?v=1782258413"},{"product_id":"cat-stevens-catch-bull-at-four-limited-edition-lp","title":"Catch Bull At Four (Limited Edition Orange) LP","description":"\u003cp\u003eOn its original release in 1972, Cat Stevens’ fourth LP on Island\/A\u0026amp;M, \u003cem\u003eCatch Bull At Four\u003c\/em\u003e, spent three weeks at #1 on the Billboard 200, making it his biggest album of all time. To celebrate its 50th anniversary, Island Records \/ UMe will reissue a newly remastered version of \u003cem\u003eCatch Bull At Four\u003c\/em\u003e on Dec 2nd. Presented on limited edition 180g orange vinyl LP.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExcluded from sitewide sales\/discounts.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Yusuf \/ Cat Stevens","offers":[{"title":"Default Title","offer_id":64097641333105,"sku":"00602448053213","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1010\/4753\/3937\/files\/Orangevinylproductshot.png?v=1782258415"},{"product_id":"yusuf-cat-stevens-teaser-and-the-firecat-imported-lp","title":"Teaser and The Firecat LP","description":"Following 2020’s 50th anniversary editions of the era-defining \u003cem\u003eTea for the Tillerman\u003c\/em\u003e and \u003cem\u003eMona Bone Jakon\u003c\/em\u003e, 2021 sees Yusuf \/ Cat Stevens celebrate 1971’s landmark \u003cem\u003eTeaser and the Firecat\u003c\/em\u003e, with a new 50th Anniversary Remaster on 180G vinyl. The 50th Anniversary remaster was completed at Abbey Road Studios, and was overseen by original album producer, Paul Samwell-Smith. 2022 release.","brand":"Yusuf \/ Cat Stevens","offers":[{"title":"Default Title","offer_id":64097663189361,"sku":"00602435996547","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1010\/4753\/3937\/files\/Teaser_and_The_Firecat_LP1.png?v=1782258890"},{"product_id":"richard-thompson-guitar-vocal-a-collection-of-unreleased-and-rare-material-1967-1976-2lp","title":"(Guitar, Vocal) A Collection Of Unreleased and Rare Material 1967-1976 2LP","description":"45th Anniversary re-issue of Richard Thompson’s 1976 collection of rarities with Fairport Convention, Linda Thompson, and solo.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRemastered and available on 180gram black vinyl.","brand":"Richard Thompson","offers":[{"title":"Default Title","offer_id":64097673642353,"sku":"00602435762593","price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1010\/4753\/3937\/files\/Guitar_Vocal_A_Collection_Of_Unreleased_and_Rare_Material_1967-1976_2LP1.png?v=1782259066"},{"product_id":"yusuf-cat-stevens-harold-and-maude-original-motion-picture-soundtrack-lp","title":"Harold And Maude (Original Motion Picture Soundtrack) LP","description":"\u003cp\u003eTimed to coincide with the 50th anniversary of the landmark film’s release, this new 180g LP version of the soundtrack combines nine Cat Stevens originals as well as – for the first time - additional dialogue and instrumental music from the film. 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