{"title":"Low Inventory","description":"","products":[{"product_id":"sheldonian-live","title":"Sheldonian \/ Live","description":"Limited 2019 live EP from the Supergrass frontman.","brand":"Gaz Coombes","offers":[{"title":"Default Title","offer_id":32073332686941,"sku":"602508419966","price":21.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/4323\/7725\/products\/3763744-2524996.jpg?v=1583481627"},{"product_id":"dont-you-think-youve-had-enough","title":"Don't You Think You'Ve Had Enough?","description":"Don't You Think You've Had Enough? is what Jennifer Clavin asked herself when she hit a turning point in her life. It's also the title of the new record from Bleached, Jessie and Jennifer Clavin's first LP written from a place of sobriety. That newfound perspective serves as the guiding force, yielding a courageous, honest, and sonically ambitious album. It's a record about fighting both literally and figuratively for your life - and the clarity born from that struggle. Writing began in early 2018, both in a Los Angeles practice space, and with friends and co-writers in Nashville. Producer Shane Stoneback (Vampire Weekend, Sleigh Bells) helped open every door to experimentation, wanting to be exploratory while keeping the sound singularly Bleached. The resulting LP is explosive, grappling with the past; it's twelve tracks mark some of the sisters' most visceral, rawest songwriting to date - and some of their best. The work glimmers with inspiration found in touring with the likes of The Damned and Paramore. That arena- ready pop, incisively catchy, was a palpable influence helping to push Bleached's sound in a new direction. \"Writing these songs while sober became somewhat of a spiritual experience, Jennifer says. \"Like I was connecting with a power greater than myself. 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Fuse delivers a slicker, more sophisticated version of Keith Urban's solitary demo recording process as a radical sounding change in direction. Throughout, he melds drum machines, synths and samplers with his guitars, banjos, mandolins and voice. Miranda Lambert duets on 'Cop Car.' The album spawned six singles, four of which topped the newly introduced Billboard Country Airplay chart, making it his first album to produce four chart-topping singles. 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Drawing upon a diverse palate of influences and transcending each one, it's a stunning piece of work-certainly one of the most impressive achievements of Lambchop's catalogue.","brand":"Lambchop","offers":[{"title":"Default Title","offer_id":32073378955357,"sku":"673855053417","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/4323\/7725\/products\/3438426.jpg?v=1583482089"},{"product_id":"evil-or-divine","title":"Evil Or Divine","description":"Swedish heavy rockers Sideburn will issue their fifth album, Evil or Divine, June 9 in North America via Metalville Records. The new outing follows two full-lengths on Transubstans, one on Buzzville and their 1997 debut, which arrived via Beard of Stars, so they've been nothing if not well-endorsed throughout their career. Hard to imagine the new record's title isn't a Dio reference - as in, \"We'll know for the first time\/If we're evil or divine\/We're the last in line\" - and if so, if that might speak to some inflection throughout of classic metal, but we'll see when we get there.","brand":"Sideburn","offers":[{"title":"Default Title","offer_id":32073379479645,"sku":"727361694401","price":17.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/4323\/7725\/products\/2878019.jpg?v=1583482100"},{"product_id":"held","title":"Held","description":null,"brand":"Holy Other","offers":[{"title":"Default Title","offer_id":32073382395997,"sku":"656605512617","price":19.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/4323\/7725\/products\/2058851.jpg?v=1583482121"},{"product_id":"come-out-from-the-shadows-ii","title":"Come Out from the Shadows II","description":"For the first time EVER on high quality CD and glorious vinyl, this superb collection of studio recordings made at Klaverland Studio in the Netherlands in the summer of 1992!These recordings find the Dots at their most adventurous, improvising and jamming out songs with special guests Steven Stapleton of Nurse With Wound and former Dot Patrick Q. 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Since then, Kayo Dot's muse has shown it's face through slow and massive cascades of guitars and violins, and soundscapes spanning from \"Bitches Brew\"-inspired tripped-out goth fusion to hyper-fast, angular and atonal suicidal black metal. Kayo Dot's members and collaborators come from a huge range of backgrounds; DIY punk kids to the most erudite conservatory-educated New York performing musicians. Driver's list of collaborators includes names like Randall Dunn (Wolves In The Throne Room, Myrkur, Sunn 0))), Secret Chiefs 3 (Trey Spruance of Mr. Bungle), John Zorn, and G. Stuart Dahlquist (Burning Witch, Asva), among many others. The diversity of musicians feeds Kayo Dot's ability to wind, twist, and leave you wanting with no ceiling on how it will evolve, while creating sounds that are both timeless and contemporary. Now fifteen years on, Kayo Dot's new album, \"Blasphemy\", is once again based on an allegorical story by Jason Byron. It explores greed, especially politically, and surrounds three characters on their search for treasures; only to be destroyed by the very treasure they sought - a sleeping girl with terrible power named Blasphemy. Produced by Randall Dunn (who helmed Kayo Dot's \"Hubardo\", \"Coyote\", and \"Blue Lambency Downward\"), is Kayo Dot's most forthright statement ever; directly confronting the world at-hand, foregoing the encouraged escapism found ubiquitously throughout the rest of Kayo Dot's catalogue, and embracing the perspective a band in such a rare position as this can bring. Much more energetic than the ebb and flow of 2003's \"Choirs of the Eyes\", while embracing the multi-instrumentalist soundscapes painted with strings and horns on albums such as \"Dowsing Anemone with Copper Tongue\" (2006), channeling the playfulness of 2010's \"Coyote\". 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