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The result is a body of work both bracingly honest and powerfully exhilarating. Growing up in Winnipeg, Visser wrote the songs for the album at home throughout their late teens and early twenties, after shifts at the local coffee shop and lost nights in the city. This intimacy has been preserved on Boniface, the songs largely recorded in the room they were written, and with Visser's brother Joey and longtime collaborator Micheal Dunn also on hand. 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The lyrics are noticeably important to the band and in true Narnia spirit this heritage has been well managed and further refined.Christian Liljegren sings with such passion that it is hard not to be touched by the vocals. This album is also produced by Narnia's guitar virtuoso CJ Grimmark, who also has written most of both lyrics and music. It is mixed by the band's sound engineer Viktor Stenquist, and once again mastered by Jens Bogren, Fascination Street Studios.The band's first tour in South America in 2017, made noticeable marks and you can hear this new reignition has come to stay. It is clearly hearble in Andreas \"Habo\" Johansson's energetic drumming, which is performed with both power and precision. With a keyboardist as Martin H�renstam, the Narnia has the caliber of another solo virtouso in the band. The synthesizers are there all the time and commute between complementing the sound image and making exciting excursions, a bit like a perfectly balanced dance in harmony with the guitar. The band's latest addition, bassist Jonatan Samuelsson, has merged well into the band and has also contributed with background vocals, playing Taurus bass pedal, songwriting and graphic design of cover.It is a united and wholehearted band that now is releasing a new studio album! From Darkness To Light will be released in connection with the coming tour in South America, together with Stryper and Tourniquet.","brand":"Narnia","offers":[{"title":"Default Title","offer_id":32073800810589,"sku":"7320470240960","price":30.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/4323\/7725\/products\/3920547.jpg?v=1583486984"},{"product_id":"beautiful-day-in-the-neighborhood-o-s-t","title":"Beautiful Day In the Neighborhood \/ O.S.T.  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The accessible pop songs contain a variety of topics, such as 'A Spanish Muslim Greet His God', 'Wrong Covenants' and 'The Beatles and Neighbors'.This 20-year anniversary edition is available as a limited \u0026amp; numbered edition of 1000 pieces on transparent red vinyl.","brand":"Acda \u0026 De Munnik","offers":[{"title":"Default Title","offer_id":32074248224861,"sku":"8719262009783","price":25.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/4323\/7725\/products\/3771044-2528648.jpg?v=1583490827"},{"product_id":"fossil-begins-to-bray","title":"Fossil Begins to Bray","description":"In her most personally narrative work to date, A Fossil Begins To Bray is the follow up on Dais Records for NYC producer Hiro Kone, furthering the dialogue set forth on her 2018 release, Pure Expenditure. While the statements on Pure Expenditure rallied behind a point of dangerous excess and injustice, the material on A Fossil Begins To Bray embark upon a journey of discovery and self-analysis, proposing a potential reorientation towards absence in hopes of illuminating potential futures. In Mao's own words, \"This album considers the power of absence as neither a lack or deficit, but as a quiet, indeterminable force to cultivate in this time of looming and unrelenting techno-fascism. It asks that we take pause to consider our learned languages and actualities and to better consider how desire shapes our recollections and interpretations of this 'existence.'\" This allegory is expertly applied to every song on A Fossil Begins To Bray. Mao has established a long history of employing absence in her productions to maximum effect. With a vast assortment of diverse elements at play, no single track ever feels overly convoluted and further illustrates Hiro Kone's skillful attention to dynamic tension and flow. Tracks such as \"Fabrication of Silence\" and \"Submerged Dragon\" perfectly represent the power of absence, utilized in a matter to create unique amalgams of decisive, cinematic techno rhythms from the electronic void. As the melodic elements contained within A Fossil Begins To Bray begin to unravel and slowly take form, the unaware are rewarded with a driving yet tangible refrain that offers resolve in contrast to the dense, texture-laden backdrop that forms the album's foundation. The first single, \"Feed My Ancestors\", expands upon Hiro Kone's signature take on electronic music structures. Seemingly free from the predictable contracts imposed by any one genre's stereotypes, Hiro Kone throttles the foreboding bassline in favor of more calculated, abstract cut-ups that gracefully hold the track in place between hopeful utopia and something more ominous. The production and detail found throughout the album shows Hiro Kone's neverending development and dedication to principle. 'A Fossil Begins To Bray' is a challenge to dust off the forgotten modes of existence, expel the accepted paradigms within modern subculture and utilize the absence left behind. 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Across it's 11 songs, Lotic stretches their wings into unexpected new spaces, both compositionally, and, for the first time, vocally. \"Hunted, quoted above, returns the colonial gaze with an arched eyebrow and a hushed chant in one of the more pop-leaning moments on the album. \"Distribution of Care\" pulls Lotic's rigorous club aesthetic into a symphonic context, pairing strings and drums in a wordless questioning of society's priorities. The playful \"Nerve\" serves up an icey hip-hop beat over which they invoke their H-Town roots while issuing a warning. And, of course, there couldn't be a sonic exposition of power without it's most generous manifestation: \"Heart\" is a love ballad that finds Lotic and NON Records's Moro, the album's sole guest, trading vulnerable verses. \"It originally started as an empowerment album,\" says Lotic. \"I felt that I needed to offer something outside of myself, as sort of a healing moment. And then I lost my apartment. Mentally, I could only work on music once every three months or something. The question of what would be empowering - the answer to that changed so often over a two-year period. I had to figure out who I was all over again. With this record, I went back and incorporated all of my musical selves.\" Lotic was born in Houston, and studied electronic music composition and saxophone at university. They moved to Berlin in 2012, where they helped form the Janus club collective. In 2015, they were commissioned to create two remixes for Bj�rk's Vulnicura, and subsequently were invited to be the opening act at her live show in Berlin. Power is grounded by Lotic's love of Texan marching bands - \"Beats and drumming are so integral to black culture,\" they explain - and was in part inspired by Ta-Nehisi Coates's Between The World And Me. 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His fellow Firewind band mates have also been far from idle too; but despite the prolonged break in activities Firewind was always going to return and 2017 will see the band back and blasting on all cylinders! The band will return with live activities and a new singer. Henning Basse, a long time friend and collaborator of Gus' is the man trusted to bring Firewind back to the masses. 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Born in the farm country of the Isan region, Bandon came from a poor family and was a monk during his teens, two great influences which shaped him, with his farm roots grounding the earthy heart of his lyrics, and his years of monastic chanting lending a unique resonance to his singing. After an apprenticeship with some of the greats of Thai music, Dao Bandon began to enjoy success leading his own band. The songs here, released in the 1970s, showcase the infectiously joyful Bandon groove, his mellifluous voice, and his captivating melodic sense. His lyrics deal with sex, love, marijuana, and the struggles of the poor, but no matter what he sings about, a sense of good cheer is always evident. Featuring parallel translations of the lyrics, in-depth liner notes, rare photos, and of course, great music, Man on a Water Buffalo is yet another example of Thai excellence from EM Records. 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He moved to Philadelphia in the mid-'70s and met Philly arranger\/producer Louis A. deLise, with whom he collaborated to create a new steel pan music, welding Trinidadian steel music to Philly soul. He researched and advocated a new style of steel pan music, describing the steel pan as an \"Omni vibraphone\" in his 1978 book the Unit Steel Band, in which he combined his scientific and musical backgrounds to illuminate the physics of the steel pan. Gibbs' innate musicality comes to the fore on Steel Funk, where he compiles several years of experience with deLise into an appealing Trini-Philly groove union, with the five steel pan players of the Unlimited Sound of Steel Orchestra working in sync with a 30-piece studio orchestra of brass, strings and rhythm. The songs range from Calypso to film theme to pop standard, covers and originals, but Steel Funk is not a chintzy pastiche, it's a glorious unity. 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In comparison to the hectic sounds of his other outfit, this is a more subtle journey through heartfelt and emotional journeys against the backdrop of ukulele, acoustic guitar, mandolin, and snare-brushed rhythms. Bawinkel speaks on the stripped-back sound and inspiration for this new endeavor: \"There is nothing as vulnerable as a punk lead singer having to give up his distortion and volume to be laid bare in front of a crowd with just his wit and raw guitar playing. I wanted to revisit sounds from my childhood and return to simpler culture, one without pretension. The album has an overall theme of travel and journeying. 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The band has been likened musically to contemporary artists such as Lemuria and Waxahatchee and older indie bands such as The Sundays, The Popguns and Blake Babies, as well as lyrically to earlier political new wave\/indie bands such as The Clash, The Jam, and The Housemartins. Some of their influences include Juliana Hatfield, Kate Nash, P.S. 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David Ellefson said: \"The first time I saw Doll Skin perform was last year at a talent contest my son asked me to attend. I was totally blown away by their energy and great songs and that prompted me to take them into the studio this past summer to produce the \"In Your Face\" EP. They are young and fresh but are not a novelty teenage act. They are totally absorbed in old school punk roots, while writing forward thinking songs. I was a fan from day one!\"","brand":"Doll Skin","offers":[{"title":"Default Title","offer_id":32075145314397,"sku":"700220562196","price":22.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/4323\/7725\/products\/3354130.jpg?v=1583500508"},{"product_id":"get-ready","title":"Get Ready","description":"Vinyl LP pressing. Matador! Soul Sounds is proud to announce their debut album Get Ready. 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Mini-moogs, mellotron and accoustic guitars has been added into a perfect mix of great personal lyrics, and some of the finest songwriting to ever come from a Swedish rock band. \"A Hundred Years Is Nothing\" is their strongest album to date, no doubt.","brand":"Hellsingland Underground","offers":[{"title":"Default Title","offer_id":32075250860125,"sku":"200000076559","price":35.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/4323\/7725\/products\/3686080-2410381.jpg?v=1583501774"},{"product_id":"down-to-earth-1","title":"Down to Earth","description":"Available on vinyl for the first time since it's original release in 1974, Nektar's circus-themed album get's the deluxe collector's treatment!Features a guest appearance by Hawkwind lyricist\/jester Robert Calvert!Limited edition RED vinyl pressing in a gatefold jacket!After the passing of lead vocalist\/guitarist Roye Albrighton in 2016, orignal bass player Derek \"Mo\" Moore has returned along with original drummer Ron Howden to helm the Nektar for a new album!","brand":"Nektar","offers":[{"title":"Default Title","offer_id":32075336417373,"sku":"889466131615","price":29.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/4323\/7725\/products\/3748537-2512091.jpg?v=1583502861"},{"product_id":"live-at-fillmore-east-red-w-black-swirl","title":"Live At Fillmore East (Red with Black Swirl Limited Edition)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLimited-edition 180gram translucent red \u0026amp; black swirl 2LP! Remastered from original analog tapes by Keven Reeves to 192kHz 24-bit audio and then cut on copper plates using Abbey Road Mastering's Direct Metal Mastering (DMM) lathe. The original artwork has been faithfully reproduced. At Fillmore East is the first live album by The Allman Brothers Band, and their third release overall. Produced by Tom Dowd, the album was released in July 1971 in the United States by Capricorn Records. As the title indicates, the recording took place at the New York City music venue Fillmore East, which was run by concert promoter Bill Graham. It was recorded over the course of three nights in March 1971 and features the band performing extended jam versions of songs such as \"Whipping Post\" and \"In Memory of Elizabeth Reed.\" At Fillmore East was the band's artistic and commercial breakthrough, and has been considered by some critics to be one of the greatest live albums in rock music. 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On \"It Ain't Over Yet\" and \"The Fox, we hear Joakim Nilsson sing his heart out whilst Truls M�rck takes the reigns offering soothing contrast on \"See The Day\" and the anthemic Neil Young-esque \"Bird Of Paradise.\" Throughout, Graveyard continue to show their heavier side with hard-hitters \"Please Don't,\" \"Cold Love\" and \"A Sign Of Peace.\" The band offer a refreshing blend of Black Sabbath and The Stooges on \"Walk On,\" concluding with the epic jam of \"Low (I Wouldn't Mind).\" All of these elements combined create a record that showcases the experimental and heavier side of Graveyard without forsaking the true essence of the band.","brand":"Graveyard","offers":[{"title":"Default Title","offer_id":32075398840413,"sku":"727361443771","price":24.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/4323\/7725\/products\/3783298.jpg?v=1583503645"},{"product_id":"hell-bent-forever-a-tribute-to-judas-priest-va","title":"Hell Bent Forever - a Tribute to Judas Priest \/ Va","description":"Revamped version of this 2008 all-star tribute album featuring the likes of Vince Neil (of Motley Crue), Sepultura, Motorhead, Sepultura, Warrant, L.A. 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Lead by the single, \"Sally Walker\" which has over 40MM vide views in less than a month.","brand":"Iggy Azalea","offers":[{"title":"Default Title","offer_id":32075501011037,"sku":"888915959688","price":19.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/4323\/7725\/products\/3730394-2509563.jpg?v=1583504968"},{"product_id":"in-your-face-again-pink-vinyl","title":"In Your Face (Again) (Pink Vinyl)","description":"Doll Skin \/ IN YOUR FACE - MEGADETH bassist David Ellefson has created an imprint called EMP Records through the legendary label Megaforce, also known as the launching pad for legendary thrash bands METALLICA and ANTHRAX. The first release is \"In Your Face\", the debut six-song EP from the Arizona-based all-female rock quartet Doll Skin. \"In Your Face\" was produced by David Ellefson (MEGADETH) and mixed by Ryan Greene (NOFX, CHEAP TRICK, LITA FORD). David Ellefson said: \"The first time I saw Doll Skin perform was last year at a talent contest my son asked me to attend. I was totally blown away by their energy and great songs and that prompted me to take them into the studio this past summer to produce the \"In Your Face\" EP. They are young and fresh but are not a novelty teenage act. They are totally absorbed in old school punk roots, while writing forward thinking songs. I was a fan from day one!\"","brand":"Doll Skin","offers":[{"title":"Default Title","offer_id":32075613274205,"sku":"700220562189","price":22.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/4323\/7725\/products\/3354129.jpg?v=1583506549"},{"product_id":"raised-on-rock-red-vinyl","title":"Raised on Rock (Red Vinyl)","description":"Limited red vinyl LP pressing housed in a gatefold jacket. 2018 release. If you consider the songs on Voodoo Circle's album Raised On Rock to be an indicator of the current emotional condition their most important protagonists find themselves in, there seems to be no reason to worry about band founder, guitarist and main composer Alex Beyrodt in particular. Thanks to Beyrodt's excellent songwriting - as usual inspired by renowned sources such as Whitesnake, Rainbow, Deep Purple, Led Zeppelin and Jimi Hendrix - and his outstanding guitar performance which brings to mind icons from Ritchie Blackmore through Jimmy Page to John Sykes, this recording oozes pure, unadulterated fervour. This exuberant energy, however, isn't the merit of Beyrodt alone but, without doubt, also that of his colleagues Mat Sinner (bass), Francesco Jovino (drums) and - last but not least - new vocalist Herbie Langhans (Avantasia). With Langhans as the group's new frontman, the stylistic direction of the Voodoo Circle compositions hasn't significantly changed - unlike the general flair of the material: \"I feel that the band sounds even more autonomous, a little less bluesy and much meatier with Herbie at the mic, Beyrodt enthuses. \"This allowed me to work on ideas which would probably not really have suited his predecessor David Readman but are absolutely perfect for Herbie's powerful voice.\" Talking of the sound: Raised On Rock was mixed and mastered by Jacob Hansen (Volbeat, U.D.O.), whose unerring instinct for dynamics and frequencies lends the recording it's modern touch. And another musician contributed significantly to the tight overall impression of Raised On Rock: the keyboards were manned by Corvin Bahn (Saxon, Uli Jon Roth). 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Tommy Bolin was born in Sioux City, Iowa and began playing in bands around the city as a youth before moving to Boulder, Colorado, in his late teens. He had played in a band called American Standard before joining Ethereal Zephyr, a band named after a train that ran between Denver and Chicago. When record companies became interested, the name was shortened to Zephyr. This band included Bolin on guitar, David Givens on bass, and Givens' wife Candy Givens on vocals. The band had begun to do larger venues, opening for more established acts such as Led Zeppelin. Their second album, entitled Going Back to Colorado, featured a new drummer, Bobby Berge, who would pop up from time to time in musician credits in album liner notes from Bolin's later projects.","brand":"Tommy Bolin \u0026 Zephyr","offers":[{"title":"Default Title","offer_id":32075853365341,"sku":"889466037511","price":21.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0287\/4323\/7725\/products\/3413436.jpg?v=1583509748"},{"product_id":"steve-miller-band-recall-the-beginning-a-journey-from-eden-red-limited-edition","title":"Recall The Beginning...A Journey From Eden (Limited Edition 180g Red) 1LP","description":"\u003cp\u003eLimited 180gm red colored vinyl LP pressing. \u003cem\u003eRecall the Beginning... A Journey from Eden\u003c\/em\u003e is the seventh studio album by Steve Miller Band. 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